Choral Music by:
Palestrina, Wood, Ireland, including Handel’s Zadok the Priest and Parry’s Blest Pair of Sirens.
Organ music by:
Brahms, Albinoni, Vierne and including Bach’s Toccata and Fugue in D minor.
Organist: Michael Howell
|14th – 16th August||Weekend services at Norwich Cathedral|
|14th November||‘Becket’, with Goring Gap Players: taking a look at Thomas Becket's childhood, career and reputation|
|19th – 22nd August||Weekend services at Worcester Cathedral|
Based in Goring-on-Thames, our choir draws members from around South Oxfordshire and Berkshire. We sing all year round, giving concerts in Spring, Autumn and at Christmas. Our repertoire ranges from the Classical through traditional to contemporary music. While our concerts always have familiar and popular pieces, we enjoy exploring new or lesser-known works — it keeps our programme fresh.
Warm thanks to all of you who braved the elements to enjoy our concert at Douai Abbey on Saturday, 15th February. We hope you found the experience as enjoyable as we did. The abbey is a truly inspiring setting for a recital of sacred works, not to mention the wonderful acoustics.
Thanks, also, to the Abbot and monks of Douai Abbey for their hospitality in welcoming the choir and audience to this holy place.
Hear the choir singing In my Father's house, from our concert programme at Douai Abbey.
'Very moving', 'enriching', 'stunning', 'sublime', 'wonderful', are some of the words in which the audience described the concert given by Goring Chamber Choir at Douai Abbey on Saturday 15th February.
This was a perfect venue for this performance of Duruflé's Requiem, in which the nine movements were separated by contemporary motets, a masterly piece of programming. The choir sang magnificently and with great expression, sensitively directed by Frances Brewitt-Taylor and with superb accompaniment from organist Steve Bowey. He also played Duruflé's virtuoso organ piece: Fugue sur le nom d'Alain – the audience was enthralled by his skill!
Particularly uplifting were the performances of Rupert Lang's Kontakion, and In my Father's house by Philip Stopford. For the unaccompanied motets the choir moved to be closer to the audience, which proved most effective for the group of soprano soloists in Esenvald's O salutaris hostia. The evening finished with Blitheman's 16th century motet for Compline: In pace. The plainsong for men's voices seemed to return the Abbey to prayerful silence.
We welcome singers to join the choir. If you'd like to become a member, contact us and come to a few of our rehearsals on Thursday evenings — you can join in and see how it feels. If you want to go ahead, you'll audition with our Musical Director. Our singers must be able to read sheet music, as we don't learn by ear, but we're not all polished sight-readers. Join us
A collection of pieces from Goring Chamber Choir's broad repertoire of sacred and secular works, from Haydn and Mozart to Gershwin and Rodgers. On the way, we visit the great Victorian and Edwardian church composers, some traditional folk songs and a barber shop number.Full details
The choir at Christmas. Plainsong and medieval carols rub shoulders with contemporary Christmas music from around the world, and new settings cast fresh light on ancient and mystic texts.Full details
This collection explores the many facets of love: from youthful desire through religious passion, love in adversity, the intertwining of souls, to separation and loss.Full details